Brabantio put him at his ease and encouraged him to speak of his life and adventures. Although Othello has said that he cannot speak easily, it is as a speaker that Brabantio and his daughter appreciated him. Othello tells the story of his life. Shakespeare makes Othello's story rich in visual detail, but he distorts geographic facts for dramatic effect. Slave trading was part of general trade along the shipping routes of East and North Africa, and many slaves were sold in markets in the cities of the Middle East.
Othello was redeemed from slavery — by whom and for what reason are not revealed — and was left far from his homeland, facts which probably contributed to his career choice as a professional soldier. Othello also describes his adventures fighting on sea and land.
Othello's speech helps us — and the Senators — understand why Desdemona has fallen in love with him. He capably presents to the Duke and the others a portrait of himself as a man who has spent almost all of his life in the field as a successful, active soldier. He asserts that Desdemona would hear these stories and she would "devour up my discourse" Desdemona's intention is clear in telling Othello that his story could win her love: "[I]f I had a friend that lov'd her, I should but teach him to tell my story, and that would woo her" This is a transparently disguised declaration of her love for him and her encouragement for his proposal.
This description of Desdemona, depicting a young woman who knows exactly what she wants and reaches out for it, contrasts markedly with Brabantio's fond notion of a quiet, still small daughter. Othello knows what she will say and speaks confidently and directly: "Here comes the lady, let her witness it" Even before Desdemona speaks, it is clear that Othello has successfully defended himself when the Duke says: "I think this tale would win my daughter too" He retreats to a more formal position and asks her to whom she owes most obedience.
This question places the debate in the abstract realm of perceptions and customs about the proper relationship between young women and the men in their lives. Brabantio can expect that the Senators will side with fathers in matters of disobedient daughters and that their opinion will turn to his advantage.
Considering that the play is set approximately in the late sixteenth century, Desdemona's defense of her actions is remarkably forthright, spirited, and courageous. Her ten brief lines are models of concise rationale. Hers, she says, was and is a "divided duty": She remains bound to her noble father for her "life and education"; he remains her "lord of duty," and she will always honor him as such.
Now, however, she has a husband, and she will give all her loyalty to her husband, just as her mother gave her loyalty to Brabantio. In other words, fathers must give way to husbands. Desdemona's argument, which sweeps personal matters into general principles, carries the day, and Brabantio abandons his accusation.
He does not concede that he was wrong, only that he cannot answer it. He never puts to question her participation in the courtship or the matter of witchcraft, which was his original accusation. Nor does he ask her how she could marry a man whom he thinks should disgust her. Simply he gives up, "I have done" and and abandons Desdemona and the whole idea of fatherhood. Brabantio's stubbornness is an integral part of his personality. He is not a fool, however: He is a man who is losing power, and there is no way he can accommodate that loss while retaining his self respect.
The Duke's attempts at conciliation fall on deaf ears. Desdemona, having embarked on marriage with Othello, wishes to accompany him into the field of war as a faithful wife. Othello argues that their love is rooted in compassion, Othello loves Desdemona … Actually, with the world being updated to , I do think it works. What does Othello say will happen when he and Desdemona meet at Judgment Day? Desdemona is a more plausible, well-rounded figure than much criticism has given her credit for.
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Measure content performance. Develop and improve products. List of Partners vendors. Share Flipboard Email. Lee Jamieson. Theater Expert. Lee Jamieson, M. He previously served as a theater studies lecturer at Stratford-upon Avon College in the United Kingdom. Updated March 29, Featured Video. Cite this Article Format. Jamieson, Lee. Othello and Desdemona: An Analysis. Brabanzio reluctantly resigns himself to her decision and allows the court to return to state affairs.
The duke decides that Othello must go to Cyprus to defend the island from the Turks. Othello is willing and ready to go, and he asks that appropriate accommodations be provided for his wife. The duke suggests that she stay with her father, but neither Desdemona nor Brabanzio nor Othello will accept this, and Desdemona asks to be allowed to go with Othello.
The stage is cleared, leaving only Roderigo and Iago. Once again, Roderigo feels that his hopes of winning Desdemona have been dashed, but Iago insists that all will be well. Iago contradicts him, asserting that people can choose at will what they want to be. Iago promises to work everything out from there. When Roderigo leaves, Iago delivers his first soliloquy, declaring his hatred for Othello and his suspicion that Othello has slept with his wife, Emilia. The war between the Turks and Venetians will not prove to be a major part of the play.
Othello is both an outsider and an insider in Venetian society. At the same time, the duke and other characters treat him as an essential part of the Venetian state.
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